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The Friday Writers’ Bloc: May 23rd, 2008

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Download this week’s Friday Writers’ Bloc Playlist HERE

Michael-Bradley’s Picks

1. Health- Perfect Skin

These LA Noise rockers have been doing it for a while, and I’m happy for them they’re getting some press. When I finished listening to this album (their newest and first- self titled LP) I felt nothing but pure jealousy. I wish I made this record! Congrats dudes on making a terrific album, beautifully blending noise with some enjoyable grooves. This song is sort of like their slow single, but I think when loud can sound pretty epic.

2. Tera Melos- Last Smile For Jaron

I wrote about these guys early on, but I never uploaded a song. I saw them perform again two nights ago while opening for the Fall of Troy. These guys freakin’ shred and I wished everybody knew it. They smash around between math rock melody, and more experimental sounds. This is off their Split with By The End of Tonight, title Complex Full of Phantoms. Primarily an instrumental band, this album was their introduction of vocals. I think that typically can be dangerous for an instrumental band, but like Battles did with Atlas, they seemed to have found a tactful way of doing it without drowning the music with lyrics. Instead the vocals are just used as another instrument. This song melts me down in a few places, I’d tell you where, but you should just listen to it through and figure it out!

3. Sleepytime Gorilla Museum-Ambugaton

This song has amazing lyrics. Here it is :

“Ambugaton!”

Yea, that’s it. Sleepytime Gorilla Museum is a terrific folk metal band that goes through lots of different and very unique/ bizarre sounds. You should try them out, so if nothing else you can say you’ve heard Sleepytime Gorilla Museum. I really have more trouble describing these guys more than most bands. But take the ride that is Ambugaton. It seems to go from edgy classical music, to metal. The whole song is a giant build up to the one lyric, AMBUGATON! Liner notes point to Hank Williams as author of the lyric…….

Jonathan’s Picks

1. Cam’ron – Weekend Girl/Weekend Love

So as far as I’m concerned Memorial Day Weekend is the official start of summer. Forget June 20th. At least in New York it is — offices are vacant by noon, restaurants are empty at the usual dinner rush, and perhaps most importantly, tank tops and mini skirts return. A close second, however, is that inevitable — and often indomitable — summer anthem, the one song that signifies an entire summer in your life. Three months boiled down to three minutes. And you never forget ’em. This Friday I’ve chosen three songs that hold memories for me of recent New York summers past. First, summer 2006: Cam’ron samples/jacks The S.O.S. Band‘s 1985 single, “Weekend Girl,” with great success despite the fact that the track remained largely underground, and was never released on any official album (thus the uncertainty over its actual name). Although sped up slightly from the original “Weekend Girl,” Cam’s song maintains a summery, breezy feel from the first bars, which is further reinforced by his playful, almost lazy, flow. While I refuse to buy into Pitchfork’s identity as the sole arbiter of musical excellence, it’s worth noting that the notoriously tough critics rather remarkably named Cam’ron’s highly unofficial summer anthem to the web site’s Top 100 Tracks of 2006. And for once, I definitely agree with them. This track has flown under the radar for far too long.

2. Kevin Lyttle Feat. Alison Hinds – Turn Me On (Mad Hatters Ball Mix)

Summer 2004: What started out as a laid-back soca ballad featuring well-known reggae artist Spragga Benz back in 2001 was eventually remixed three years later into the summer club banger “Turn Me On.” With a much more uptempo, dance floor-ready beat that plays musical Twister — one foot on reggae, one hand on soca; other foot on reggaeton, other hand on dancehall — by straddling those multiple genre’s, Kevin Lyttle’s introduction to flat out bum-rushing of the U.S. market (the song reached number four on Billboard’s Hot 100) spawned many a drunken hook up in the sweat-soaked bars and clubs of NYC, with some patrons (libidos racing) trying just a little too hard to emulate the moves they saw in the music video for “Turn Me On.” I remember being incredibly amused by this on numerous occasions, as some people actually fell. Like, a lot of people, actually. Unfortunately, 2004 was a hot and sticky summer in New York, and this song only served to make things worse.

3. Lumidee Feat. Busta Rhymes & Fabolous – Never Leave You (Uh Oooh, Uh Oooh) (Remix)

Summer 2003: My god this song was hot back then. That’s all I remember. (Busta Rhymes even warns of its power in the opening line…”Ayo Tedsmooth it looks like it’s gonna be another one of them hot summers…”). Of all three tracks, “Never Leave You” was probably the most ubiquitous during its spectacular summer run. You just couldn’t get away from it no matter where you went: TVs, radios, cars, bars, and house parties bumped Lumidee aka The Queen of Spanish Harlem for three straight months. It swept New York. And the video — ohh man the video was so good too — was really the perfect reflection of the record’s street roots; basically just a huge Spanish Harlem block party up on 2nd Avenue and 119th street with corner boys posted up, Puerto Rican chicas dancin’ up a storm, Busta Rhymes shadily lurking in a bodega, Fabolous rappin’ in front of a corrugated steel garage door, 5-0 on hand (as always), and little kids all crowded around the DJ. (Side bar: I just realized upon rewatching the video that Lumidee’s love interest — a corner boy — is played by none other than corner boy extraordinaire Bodie Broadus — played by J.D. Williams — from HBO’s The Wire, aka the Greatest Show of All Time. Small world). Now I say “street roots” because the great thing about this song is that it had no business being a hit record, let alone an athemic one. It was produced by no-name neighborhood DJ and producer Tedsmooth, who blatantly hijacked the already known Diwali Riddim (you’ll remember it from Sean Paul’s hit, “Get Busy,” as well as one of my old favorites, “No Letting Go” by Wayne Wonder) and sung by a no-name local teenager who could sort more or less carry a tune, named Lumiana DeRosa. (What, you thought she just pulled that name out of thin air?) And yet, a street anthem was born. Busta was right too, it was a hot summer.

JustJake’s Picks

1. John Prine- Angel From Montgomery

This week’s picks honor one of my favorite songwriters, John Prine. Another one of those so-called “songwriters’ songwriters,” Prine has written some of the saddest, funniest, and most poignant songs in the Americana songbook. Along with most songwriters in this category, Prine has been covered time and again, often with his songs reaching a broader audience in the hands of better-known artists. You might recognize this first song as a Bonnie Raitt, Carly Simon, Susan Tedeschi, or Tanya Tucker tune; it’s actually Prine writing from the unique perspective of a broken down housewife.

2. Jim & Jesse and the Virginia Boys- Paradise

All three of these songs were first recorded by Prine on his tremendous, eponymous first album (1971). Shortly thereafter this track became somewhat of a standard in the newgrass movement and this is a cut done by Jim and Jesse McReynolds, one of the sibling super groups that helped shape bluegrass music. You can also watch Prine perform the song here.

3. John Prine- Illegal Smile

More than just a stoner anthem, this song is one of the more cleverly written tunes out there, and my personal Prine favorite. The whimsical melody and playful lyrics help cover up the pain and sadness that lurk just below the song’s surface.

Download this week’s Friday Writers’ Bloc Playlist HERE

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